Subtitle "Afrikaans" was produced by machine.Subtitle "አማርኛ" was produced by machine.Subtitle "العربية " was produced by machine.Subtitle "Ārāmāyâ" was produced by machine.Subtitle "azərbaycan dili " was produced by machine.Subtitle "беларуская мова " was produced by machine.Подзаглавието "България" е създадено от машина.Subtitle "বাংলা " was produced by machine.Subtitle "བོད་ཡིག" was produced by machine.Subtitle "босански" was produced by machine.Subtitle "català" was produced by machine.Subtitle "Cebuano" was produced by machine.Subtitle "ગુજરાતી" was produced by machine.Subtitle "corsu" was produced by machine.Podtitul "Čeština" byl vytvořen automaticky.Subtitle "Cymraeg" was produced by machine.Subtitle "Dansk" was produced by machine.Untertitel "Deutsch" wurde maschinell erzeugt.Subtitle "Untertitel" was produced by machine.Subtitle "Ελληνικά" was produced by machine.Subtitle "English" was produced by machine.Subtitle "Esperanto" was produced by machine.El subtítulo "Español" se generó automáticamente.Subtitle "Eesti" was produced by machine.Subtitle "euskara" was produced by machine.Subtitle "فارسی" was produced by machine.Subtitle "Suomi" was produced by machine.Le sous-titre "Français" a été généré automatiquement.Subtitle "Frysk" was produced by machine.Subtitle "Gaeilge" was produced by machine.Subtitle "Gàidhlig" was produced by machine.Subtitle "Galego" was produced by machine.Subtitle "Schwizerdütsch" was produced by machine.Subtitle "هَوُسَ" was produced by machine.Subtitle "Ōlelo Hawaiʻi" was produced by machine.Subtitle "עברית" was produced by machine.Subtitle "हिन्दी" was produced by machine.Subtitle "Mẹo" was produced by machine.Subtitle "Hrvatski" was produced by machine.Subtitle "Kreyòl ayisyen " was produced by machine.Subtitle "Magyar" was produced by machine.Subtitle "Հայերեն" was produced by machine.Subtitle "Bahasa Indonesia " was produced by machine.Subtitle "Asụsụ Igbo " was produced by machine.Textun"Íslenska" var framkvæmt vélrænt.Sottotitoli "Italiano" sono stati generati automaticamente.Subtitle "日本語" was produced by machine.Subtitle "Basa Jawa" was produced by machine.Subtitle "ქართული" was produced by machine.Subtitle "қазақ тілі " was produced by machine.Subtitle "ភាសាខ្មែរ" was produced by machine.Subtitle "ಕನ್ನಡ" was produced by machine.Subtitle "한국어" was produced by machine.Subtitle "कोंकणी語" was produced by machine.Subtitle "کوردی" was produced by machine.Subtitle "Кыргызча" was produced by machine.Subtitle " lingua latina" was produced by machine.Subtitle "Lëtzebuergesch" was produced by machine.Subtitle "Lingala" was produced by machine.Subtitle "ພາສາ" was produced by machine.Subtitle "Lietuvių" was produced by machine.Subtitle "Latviešu" was produced by machine.Subtitle "fiteny malagasy" was produced by machine.Subtitle "te reo Māori" was produced by machine.Subtitle "македонски јазик" was produced by machine.Subtitle "malayāḷaṁ" was produced by machine.Subtitle "မြန်မာစာ " was produced by machine.Subtitle "Монгол хэл" was produced by machine.Subtitle "मराठी" was produced by machine.Subtitle "Bahasa Malaysia" was produced by machine.Subtitle "Malti" was produced by machine.Subtitle "ဗမာစာ " was produced by machine.Subtitle "नेपाली" was produced by machine.Subtitle "Nederlands" was produced by machine.Subtitle "Norsk" was produced by machine.Subtitle "chiCheŵa" was produced by machine.Subtitle "ਪੰਜਾਬੀ" was produced by machine.Subtitle "Polska" was produced by machine.Subtitle "پښتو" was produced by machine.Subtitle "Português" was produced by machine.Subtitle "Română" was produced by machine.Subtitle "Язык жестов (Русский)" was produced by machine.Субтитры "Pусский" были созданы машиной.Subtitle "Kinyarwanda" was produced by machine.Subtitle "सिन्धी" was produced by machine.Subtitle "Deutschschweizer Gebärdensprache" was produced by machine.Subtitle "සිංහල" was produced by machine.Subtitle "Slovensky" was produced by machine.Subtitle "Slovenski" was produced by machine.Subtitle "gagana fa'a Samoa" was produced by machine.Subtitle "chiShona" was produced by machine.Subtitle "Soomaaliga" was produced by machine.Subtitle "Shqip" was produced by machine.Subtitle "србски" was produced by machine.Subtitle "Sesotho" was produced by machine.Subtitle "Basa Sunda" was produced by machine.Undertext "Svenska" är maskinell skapad.Subtitle "Kiswahili" was produced by machine.Subtitle "தமிழ்" was produced by machine.Subtitle "తెలుగు" was produced by machine.Subtitle "Тоҷикй" was produced by machine.Subtitle "ภาษาไทย" was produced by machine.Subtitle "ትግርኛ" was produced by machine.Subtitle "Tagalog" was produced by machine.Subtitle "Türkçe" was produced by machine.Subtitle "татар теле" was produced by machine.Subtitle "Українська " was produced by machine.Subtitle "اردو" was produced by machine.Subtitle "Oʻzbek" was produced by machine.Subtitle "Tiếng Việt" was produced by machine.Subtitle "Serbšćina" was produced by machine.Subtitle "isiXhosa" was produced by machine.Subtitle "ייִדיש" was produced by machine.Subtitle "Yorùbá" was produced by machine.Subtitle "中文" was produced by machine.Subtitle "isiZulu" was produced by machine.

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31.05.2018

Deutsche Bundesregierung fördert pervers-okkulte „Kunst“

Am 20. April 2018 wurde in der Bundeskunsthalle in Bonn die Ausstellung der Künstlerin Marina Abramović eröffnet. Für ihre Darbietungen wird sie in den Medien seit Jahrzehnten hochgejubelt und mit Preisen ausgezeichnet. Doch was ist das für eine Art von Kunst, wofür Abramović verherrlicht wird? Was steckt hinter den gewaltverherrlichenden und abartigen Kunstdarstellungen? Diesen Fragen geht Klagermauer.tv auf den Grund... [weiterlesen]

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31.05.2018 | www.kla.tv/12527

Am 20. April 2018 wurde in der Bundeskunsthalle in Bonn die Ausstellung der Künstlerin Marina Abramović eröffnet. Die Kunst- und Ausstellungshalle ist eine Einrichtung des Bundes und wird mit rund 19 Millionen Euro zu 100 Prozent aus dem Haushalt der Kulturstaatsministerin Monika Grütters gefördert. Die Ausstellung trägt den Titel "Marina Abramović – The Cleaner", zu Deutsch: „Der Saubermacher“. Gezeigt wird ein Rückblick auf das Lebenswerk der 71-jährigen, in Serbien geborenen Künstlerin. Für ihre künstlerischen Darbietungen wird Abramović in den Medien seit Jahrzehnten immer wieder hochgejubelt und als „Fixstern“ und „Mutter“ der Performance-Kunst bezeichnet. Zudem erhielt sie in der Vergangenheit zahlreiche nationale als auch internationale Preisauszeichnungen, wie beispielsweise den „Niedersächsischen Kunstpreis“ oder den „Goldenen Löwen“ der Biennale von Venedig und ist Ehrenmitglied der „Royal Academy of Arts“ in London. In einer Pressemitteilung betonte die Kulturstaatsministerin Grütters, dass es „eine große Ehre sei, dass es der Bundeskunsthalle gelungen ist, diese herausragende Künstlerin für eine Retrospektive über 50 Jahre künstlerischen Schaffens zu gewinnen.“ Dass die Werke Abramovićs in der Kunst- und Medienwelt und nun auch von der Bundesregierung derart wohlwollend kommentiert werden, ist jedoch mehr als fragwürdig. Denn ihren Ruhm erlangte Abramović vor allem durch äußerst blutige, perverse und okkulte Kunstaktionen. Ihre Werke beinhalten Gewaltverherrlichung und andere abartige Scheußlichkeiten. So ist das Zufügen oder Erleiden körperlicher Qualen (=Sadomasochismus) Hauptbestandteil ihrer sogenannten Performance-Kunst. Immer wieder setzte sie ihren Körper vor Publikum extremen und selbstzerstörerischen Situationen aus. Die Bundeskunsthalle umschreibt und verharmlost diese grenzüberschreitenden und widernatürlichen Selbstquälereien Abramovićs als „bahnbrechende Performances, mit denen sie immer wieder die eigenen physischen und psychischen Grenzen auslotet.“ Auf der Website der Bundeskunsthalle ist zu lesen: „In Vorbereitung auf Ihren Besuch möchten wir Sie darauf hinweisen, dass manche der gezeigten Kunstwerke verstörend wirken können und manche Kunstwerke und Re-Performances von Marina Abramović Szenen von Nacktheit, Sexualität, Fruchtbarkeitsritualen und schmerzhaften Grenzerfahrungen an ihrem eigenen Körper enthalten. Kinder und Jugendliche unter 16 Jahren haben nur in Begleitung ihrer Eltern/Erziehungsberechtigten Zutritt.“ Wie kann es sein, dass die gewaltverherrlichenden abartigen Darstellungen Abramovićs für Kinder und Jugendliche unter 18 Jahren überhaupt zugelassen werden, ob nun in elterlicher Begleitung oder nicht?! Zudem findet ein besonders dunkler Aspekt der Biografie Abramovićs in den Medien sowie bei den Organisatoren der Ausstellung in gar keiner Weise Erwähnung: Die eindeutigen Bezüge zum Satanismus, dessen Verherrlichung in ihrer sogenannten Performance-Kunst zum Ausdruck gebracht wird. So lassen sich reihenweise teufelsverehrende Inhalte und okkulte, satanische Symboliken in Abramovićs Werken finden. Auch posierte sie schon mal als Frau in satanischem Rot mit dem blutigen Kopf eines Ziegenbocks, der in Satanistenkreisen als Symbol für Baphomet („Die gehörnte Teufelsfigur“) gilt. In einer ihrer Performances schrieb sie mit Tierblut okkulte Botschaften und ekelerregende Rezepturen aus Körperflüssigkeiten auf Wände. Diese abscheulichen rituellen Praktiken werden „Spirit Cooking“, zu Deutsch: „Spirituelles Kochen“ oder auch „Seelenkochen“ genannt und gelten als moderne Version der okkulten Rituale des Satanisten Aleister Crowley. Zudem wird auch nicht thematisiert, dass Abramović seit Jahren prominente Persönlichkeiten wie z.B. Lady Gaga zu „Spirit Cooking-Festmahlen“ einlädt. An diesen bizarren, okkulten „Dinnerpartys“ werden Torten angeboten und verspeist, die wie echte Menschen aussehen. Dadurch wird Kannibalismus auf äußerst fragwürdige Weise verharmlost, ja sogar verherrlicht und die Menschen werden daran gewöhnt. Wie kann es sein, dass derart menschenverachtende, widernatürliche und okkulte Inhalte nun auch von der deutschen Bundesregierung in die Öffentlichkeit gebracht werden und nicht angemessen davor gewarnt wird? Sind die Organisatoren der Bundeskunsthalle über diese Hintergründe wirklich nicht informiert oder vertreten sie möglicherweise sogar dieselbe Einstellung? Sehen Sie hierzu die Sendung (siehe www.kla.tv/8623) „Gotthard-Tunnel Eröffnungsfeier – wer steckt hinter den satanistischen Ritualen?“ Die Bundeskunsthalle bietet einer Frau die Bühne, die unter dem Deckmantel der Kunst, den Satanismus verherrlicht. Durch die Unterstützung derartiger Ausstellungen trägt die Bundesregierung dazu bei, dass eine menschenverachtende, pervers-okkulte Ideologie verharmlost und in der Gesellschaft etabliert wird.

von nm./kno